BOUESTI JOURNAL OF PERFORMING ARTS

FROM INTUITION TO ECLECTICISM: TRACING INDIGENOUS DIRECTING IN SOUTH-WESTERN NIGERIAN THEATRE, 17TH CENTURY TO PRESENT

AN ANALYSIS OF THEATRE AS A VEHICLE FOR PROTEST IN NIGERIA USING SOJI COLE'S MAYBE TOMORROW

EXPLORING THE PRESERVATION OF NIGERIAN CULTURAL VALUES IN SELECTED NOLLYWOOD HOME VIDEOS

ASSESSING THE ROLE OF CHILDREN’STHEATRE ON THEATRE EDUCATION AND PERFORMANCE DEVELOPMENT

IMPACT OF SOCIAL MEDIA LANGUAGE USE ON THE WRITTEN ENGLISH OF UNDERGRADUATE STUDENTS IN FEDERAL UNIVERSITY WUKARI

PERFORMING THE SACRED IN SECULAR SPACES: AN ETHNOMUSICOLOGICAL STUDY OF RITUAL MUSIC AND SPIRITUAL TRANCE

BOOK REVIEW THE PATH TO RECOGNITION: A HISTORICAL CRITICAL STUDY OF INDIGENOUS DIRECTING PRACTICE IN SOUTH-WESTERN NIGERIAN THEATRE (SWNT)

A DESCRIPTIVE STUDY OF THE COMPOSITIONAL STYLES AND TECHNIQUES IN THE MUSIC OF AYO OLURANTI

MUSICAL REPRESENTATION OF HUMAN BIRD INTERACTIONS IN YORÙBÁLAND: THE CULTURAL SIGNIFICANCE AND STRUCTURAL ANALYSIS OF SELECTED POPULAR SONGS ON BIRD.

CONTEMPORARY EXPRESSIONS IN TRUMPET AND PIANO: A STUDY OFJUBILANTE IN D BY FEMI OLUBODUN AND RESONANCE IN G MINOR BY IYANUOLUWA AJAYI.

MUSIC ON WHEELS: ASSESSING THE POSITIVE IMPACT OF SONIC VIBES ON TRICYCLE RIDERS/COMMUTERS IN IKORODU, LAGOS.

BETWEEN LITURGY AND SOUNDSCAPE: REHEARING GOSPEL MUSIC IN NIGERIAN ANGLICAN WORSHIP AS A SITE OF GLOBAL AND INDIGENOUS NEGOTIATION.

TIMING THE INTRODUCTION OF PERFORMANCE ELEMENTS IN THE TRAINING OF STUDENT ACTORS: THE FEDERAL UNIVERSITY OYE-EKITI EXPERIENCE

GOVERNMENT-SPONSORED FILMS AS TOOLS FOR COUNTER-TERRORISM AWARENESS: ARTIFICIAL INTELLIGENCE, SUSTAINABLE MEDIA STRATEGIES, AND SOCIAL CHANGE

ARTISTIC DIRECTION AND CHOREOGRAPHIC INNOVATION IN CONTEMPORARY NIGERIAN PERFORMANCE