Journal of Development Communication And Applied Theatre

This paper examines the intersectionality of characters' perspectives in Sam Ukala's play, Iredi War, through the lens of Fritz Heida's attribution theory. The study employs a qualitative research approach to analyze the dramatic representation of social strata and their views, arguing that a multifaceted narrative of history is essential for inclusive representation. The play portrays the aged as embodying patience, women as mitigating tension and fostering hope, and youths as catalysts for change. The paper posits that history and reality can be gleaned from experiential knowledge and rational inquiry. By integrating diverse societal voices, a play can serve as a tool for recalibrating moral values in contemporary Nigeria. Ukala's work underscores the significance of aesthetic re-presentations of the past in shaping a safer future. 

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